![]() And those images also remind us that something like this can always happen. Yet the camera shows the remains of such a crime in a recording manner. The sequence were he shows how all the perpetrators say they are not the ones to blame, and then asks the viewers who's fault it is is petrifying.Īnd the colored contemporary images that look down like an observing eye to a situation that is now over. The despair of the people in the camps, the horrors in the camps, the hopeless situation, the Germans "amusing themselves", the abuse, torture, death, mutilation. By using archive images, music, the almost poetic voice-over and the filmed images of the camps after the war, he creates a piece of film that portrays the feelings of that time extremely well. But hopefully you can fill in.Īlain Resnais did really not hesitate to show the horrors. ![]() Even if it won't be the best because I still have to process everything. And when I saw that there was never a specific discussion on truefilm I wanted to write this little review. I actually stared for another fifteen minutes in the darkness to process it all. The films on this subject are, of course, almost always shocking and deeply moving. I don't think I've seen any representation of WWII that hit me so hard. ![]() ![]() I just watched "Night and Fog"/"Nuit et Brouillard. ![]()
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